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Pietro Perugino The Virgin and the Child 2 1500-03 National Gallery, London
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Pietro Perugino St.Sebastian 1495 The Hermitage, St.Petersburg
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Pietro Perugino The Virgin and Child with Saints c1497 Pinacoteca Nazionale, Bologna
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Pietro Perugino The Crucifixion with The Virgin, St.John, St.Jerome St.Magdalene 1485 The National Gallery of Art, Washington DC
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Pietro Perugino Christ Delivering the Keys to St.Peter 1481 Fresco
Vatican, Sistine Chapel
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Pietro Perugino The Saint Augustine Polyptych 1470 Fresco
Galleria Nazionale dell'Umbria, Perugia, Italy
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Pietro Perugino Vallombrosa Altar 1500 Galleria dell'Accademia, Florence
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Pietro Perugino St.Michael 1496 National Gallery, London
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Pietro Perugino The Virgin and child Surrounded by Two Angels (mk05) Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850
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Pietro Perugino st Jerome supporting Two Men on the Gallows Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863
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Pietro Perugino Lamentation over the Dead Christ (mk25) 1495
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Pietro Perugino Detail from Christ Giving the Keys to Saint Peter mk52
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Pietro Perugino Christ Giving the Keys to Saint Peter mk52
c.1480-2
Fresco
Sistine Chapel,Vatican,Rome
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Pietro Perugino Self-Portrait mk52
1496
Trompe l oeil pilaster,detail from a fresco scheme
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Pietro Perugino St,Sebastian mk65
ca.1495
Tempera and oil on panel
21x15 1/2"
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Pietro Perugino The Presepio 1506-10
Oil on wood, 263 x 147 cm
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Pietro Perugino The Miracles of San Bernardino: The Healing of a Mute 1473
Tempera on wood, 76 x 56,7 cm
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Pietro Perugino The Vision of St Bernard mk86
1489
Tempera on wood
173x170cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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Pietro Perugino Christ giving the Keys to St.Peter mk156
1481-1482
Ol on wood
Vatican Museum,Rome
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Pietro Perugino St Sebastian mk156
c.1490-1500
Oil on wood
176x116cm
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Pietro Perugino
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Italian
1450-1523
Pietro Perugino Galleries
Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
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